![]() ![]() Then the percussion & treble/bass clef are put somewhere in the middle of the bar which is absolutely unnecessary (see also the screenshot in the linked post). Second issue is when there is a quick change between pitched and unpitched (within the same bar for example). ![]() So instead of telling me “To triangle” I get the not-so-informative “To percussion”. This already poses a first issue: no automatic labelling of the unpitched percussion instruments. When there is sufficient rest between pitched and unpitched the instrument change will be clearly labelled with “To percussion” and “To Xylophone” for example. I can of course create a percussion “kit” for all the unpitched, then add more (pitched) instruments to the same player. However I often come across the situation where pitched & unpitched percussion have to go on the same part. ![]() I choose Dorico because I like the possibilities with the “percussion kit”, it’s really flexible, easy to set up and adjust, … Also the combination between 5-line staff (for printed parts) with single-line notation (for working score) is really nice for me. I am a percussionist and often have to re-write parts because I’m having to combine multiple parts (at the moment I’m reworking 3 percussion + timpani part to be played by myself alone. Let me maybe first explain my main use case for Dorico. ![]() It’s something I have been wondering a bit myself off late how Dorico can handle this currently or in the future. I just came across another one’s post right here: Percussion Staff Collision - Dorico - Steinberg Forums ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |